yǐ以rén wéi人为zhōng xīn中心，hái shì还是chóng xīn重新xiǎng想AIhé和yì shù艺术？
The author believes that when talking about artificial intelligence, simply saying “human-centered” is not necessarily fair, because it may only value one kind of “standard human” and ignore other people, animals, nature, and other forms of intelligence.
Today, big tech companies are making many kinds of work and creation increasingly automated, and people are also worried that jobs, meaning, and creativity will be replaced by machines; these worries are real.
However, the answer is not necessarily to put “humans” back at the center, but to learn to see the world in a more open way.
The author also talks about how AI-generated images, videos, and voices are becoming more common, making it harder to tell what is real.
Images are not just works of art; behind them are also issues of data, labor, energy, and the environment.
Many cultural materials are used to train AI without consent.
The author thinks that the future can be better—for example, by using only small and clearly defined datasets and respecting relationships, consent, and responsibility; we can also build smaller, slower AI that serves communities.
For the author, AI is neither a complete enemy nor a perfect tool, but something to cooperate with carefully.
We should not only criticize it, but also imagine better art, technology, and futures together.